artist statement
My work centers around the human figure, memory, and the layering of collected imagery. Through portraiture and figurative compositions, I explore the emotional weight people carry and the fragmented ways identity is constructed and remembered. I am drawn to creating work that feels intimate yet unsettled, combining observation with reconstruction.
My understanding of art as expression has been fundamentally shaped by my time volunteering as a studio assistant for adult artists with disabilities and special needs. Working alongside these artists changed the way I see making — as something that exists outside of technical perfection or institutional validation, and closer to pure freedom. Watching people use image-making to communicate what language cannot reach expanded my sense of what art can hold and who it belongs to.
I work across a wide range of materials, including oil paint, oil pastel, pen, ceramics, glassblowing, silversmithing, blacksmithing, and mixed-media installation. Rather than limiting myself to a single medium, I allow materials to guide the process, often incorporating found objects and collected elements into my work. I am interested in the physicality of making — how texture, weight, and surface can hold emotion and history.
A large part of my process begins with collecting imagery. I archive hundreds of reference photographs from Pinterest, personal photography, and everyday encounters, collaging them together to construct compositions that blur memory and invention. These references become fragments that I rearrange into portraits and spaces that feel simultaneously familiar and distorted.
BFA · Incoming Fall 2025 · Sculpture, Metalwork & Installation
Pre-College Program
Figure Drawing & Composition
College-level Art Courses